On November 23rd, 1995 Grant Morrison involved the readers of his comic book series The Invisibles in a group act of sigil magick. Check out the original letters page to see how the idea was initially presented. Join me today in my annual celebration of The Invisibles Hypersigil!
Saturday, November 23, 2013
Psyche Delectus: Invisibles Day 2013
On November 23rd, 1995 Grant Morrison involved the readers of his comic book series The Invisibles in a group act of sigil magick. Check out the original letters page to see how the idea was initially presented. Join me today in my annual celebration of The Invisibles Hypersigil!
Friday, November 22, 2013
Exhumed: If Flesh Could Crawl
The original piece was part of larger set, but didn't necessarily match up stylistically. Working in color, I wanted to move the piece more towards my original vision: A molten figure singing in a pit of fire. The fiery emotions here have built up to a point where they are consuming everything.
Wednesday, November 20, 2013
Tuesday, November 19, 2013
Featured Creature: The Mask of Mephistopheles
Excerpted from Marge Hollander's Digest of Demons and Devils:
This golden horned mask was commissioned by the nineteenth century Italian actor Arturo del Volto. In 1831, under the patronage of an unknown nobleman, Arturo was paid to facilitate the creation of the mask at a local smithy in Umbria. The mask was to be used as a special costume piece for the role of Mephistopheles in a production of Johann Wolfgang von Goethe's Faust at the Teatro delle Visioni. It is wondered by many occult historians if Arturo made some deal with his own devil due to the apparent curse of tragedy and death that followed the mask after its forging. Arturo would wear the mask only once.
Accounts of the mask's creation indicate that odd materials were added to the forge during the casting process. Timber was brought for the forge fire that gave off an unpleasant smell when burned and bystanders remarked on the odd color of the flames once it had been added. During the casting, the process had to be halted multiple times. The flames within the forge were burning so hot that they threatened to consume the forge itself.
This golden horned mask was commissioned by the nineteenth century Italian actor Arturo del Volto. In 1831, under the patronage of an unknown nobleman, Arturo was paid to facilitate the creation of the mask at a local smithy in Umbria. The mask was to be used as a special costume piece for the role of Mephistopheles in a production of Johann Wolfgang von Goethe's Faust at the Teatro delle Visioni. It is wondered by many occult historians if Arturo made some deal with his own devil due to the apparent curse of tragedy and death that followed the mask after its forging. Arturo would wear the mask only once.
Accounts of the mask's creation indicate that odd materials were added to the forge during the casting process. Timber was brought for the forge fire that gave off an unpleasant smell when burned and bystanders remarked on the odd color of the flames once it had been added. During the casting, the process had to be halted multiple times. The flames within the forge were burning so hot that they threatened to consume the forge itself.
Monday, November 18, 2013
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